No...
Definately not... if you don't do your Homework and research properly!!!!
Coming up Next.....
How to cope with Cheating?
. . . For people who are yet to figure out the purpose and motive behind their actions and existence.
December 31, 2007
December 23, 2007
Depression and Confusion
What does depression do to a person?
Eat more
Talk less
Go in a Shell
Loose hair
Surf Porn
Blog
Look for love
Neglect work
Spoil health
Turn to God
Turn away from God
Be confused….
STILL CONFUSED
Coming Up Next …Is getting married from through a website a Good Idea
Eat more
Talk less
Go in a Shell
Loose hair
Surf Porn
Blog
Look for love
Neglect work
Spoil health
Turn to God
Turn away from God
Be confused….
STILL CONFUSED
Coming Up Next …Is getting married from through a website a Good Idea
December 12, 2007
Anthem (in music)
Anthem
A choral setting of a religious or moral text in English, usually for liturgical performance. The term is derived from Antiphon. In the 1662 Book of Common Prayer the anthem was formally acknowledged as an extra at the end of Matins and Evensong in the Church of England. Early anthems, from c1550 (by Tye, Tallis and others), are in four parts, predominantly imitative in note-against-note counterpoint. A significant development c1600 was the ‘verse’ style, in which verses for solo voices with instrumental accompaniment (normally organ) alternated with choral passages. This paralleled the Concertato development abroad. Byrd's Easter anthem, Christ rising again, illustrates it at its best. Distinguished among his younger contemporaries were Morley (who considered it his task ‘to draw the hearers... to the consideration of holy things’) and later Tomkins, Weelkes and Gibbons, who gave the anthem even greater dramatic impact.
A choral setting of a religious or moral text in English, usually for liturgical performance. The term is derived from Antiphon. In the 1662 Book of Common Prayer the anthem was formally acknowledged as an extra at the end of Matins and Evensong in the Church of England. Early anthems, from c1550 (by Tye, Tallis and others), are in four parts, predominantly imitative in note-against-note counterpoint. A significant development c1600 was the ‘verse’ style, in which verses for solo voices with instrumental accompaniment (normally organ) alternated with choral passages. This paralleled the Concertato development abroad. Byrd's Easter anthem, Christ rising again, illustrates it at its best. Distinguished among his younger contemporaries were Morley (who considered it his task ‘to draw the hearers... to the consideration of holy things’) and later Tomkins, Weelkes and Gibbons, who gave the anthem even greater dramatic impact.
Answers.com
December 07, 2007
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